| 臺大學術典藏 |
2020-12-31T08:44:26Z |
兩宋內府的法書鑒藏變遷及閣帖重刊活動
|
HUI-WEN LU; 盧慧紋; 盧慧紋 |
| 臺大學術典藏 |
2020-12-31T08:44:26Z |
清初的書法臨古冊與臨古風尚——以王澍(1668-1743)為中心
|
盧慧紋; 盧慧紋; HUI-WEN LU |
| 臺大學術典藏 |
2020-12-31T08:44:26Z |
A Forgery and the Pursuit of the Authentic Wang Xizhi
|
盧慧紋; 盧慧紋; HUI-WEN LU |
| 臺大學術典藏 |
2020-12-31T08:44:26Z |
一件偽造東晉墓誌與宋代法書他本收藏的一些問題
|
盧慧紋; 盧慧紋; HUI-WEN LU |
| 臺大學術典藏 |
2020-12-31T08:44:26Z |
由台北故宮藏《重江疊嶂圖卷》談趙孟頫對北宋平遠山水的繼承與創新
|
HUI-WEN LU; 盧慧紋; 盧慧紋 |
| 臺大學術典藏 |
2020-12-31T08:44:26Z |
A Forgery and the Pursuit of the Authentic Wang Xizhi (303-361)
|
盧慧紋; 盧慧紋; HUI-WEN LU |
| 臺大學術典藏 |
2020-12-31T08:44:26Z |
再論趙孟頫《重江疊嶂圖卷》的繪畫風格與畫卷流傳
|
盧慧紋; 盧慧紋; HUI-WEN LU |
| 臺大學術典藏 |
2020-12-31T08:44:25Z |
摹、臨、仿、刻的創造力：臺大藝史所策辦「水月鏡像－懷素《自敘帖》摹刻本與風格傳衍特展」
|
盧慧紋; 盧慧紋; HUI-WEN LU |
| 臺大學術典藏 |
2020-12-31T08:44:25Z |
懷素《自敘帖》居然有七本？！它們之間是什麼關係？
|
盧慧紋; 盧慧紋; HUI-WEN LU |
| 臺大學術典藏 |
2020-12-31T08:44:25Z |
元初北方士大夫的書畫活動與鑒藏：以王惲(1227-1304)《秋澗先生大全集》為中心的幾點考察
|
盧慧紋; 盧慧紋; HUI-WEN LU |
| 臺大學術典藏 |
2020-12-31T08:44:25Z |
金末元初北方士大夫對關中地區唐代史跡的保存與歷史記憶
|
盧慧紋; 盧慧紋; HUI-WEN LU |
| 臺大學術典藏 |
2020-12-31T08:44:25Z |
故都與邊境：北宋士大夫對關中地區唐代史跡的保存與歷史記憶
|
盧慧紋; 盧慧紋; HUI-WEN LU |
| 臺大學術典藏 |
2020-12-31T08:44:25Z |
A Forgery and the Pursuit of the Authentic Wang Xizhi (303-361)
|
盧慧紋; 盧慧紋; HUI-WEN LU |
| 臺大學術典藏 |
2020-12-31T08:44:24Z |
江左風流與中原古法﹣由王褒入關事件談南北朝時期的南北書法發展
|
盧慧紋; 盧慧紋; HUI-WEN LU |
| 臺大學術典藏 |
2020-12-31T08:44:24Z |
Calligraphy of Stone Engravings in Northern Wei Loyang
|
Hui-Wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2020-12-31T08:44:24Z |
The embodied image : Chinese calligraphy from the John B. Elliott Collection
|
Robert E. Harrist, Jr.;Wen C. Fong;盧慧紋圖版說明; Robert E. Harrist, Jr.; Wen C. Fong|; 盧慧紋圖版說明; HUI-WEN LU |
| 臺大學術典藏 |
2020-12-31T08:44:24Z |
漢碑圖畫出文章—從濟寧州學的漢碑談十八世紀後期的訪碑活動
|
HUI-WEN LU; 盧慧紋; 盧慧紋 |
| 臺大學術典藏 |
2020-12-31T08:44:24Z |
導讀：書為心畫──方聞的中國書法史研究
|
盧慧紋; 盧慧紋; HUI-WEN LU |
| 臺大學術典藏 |
2020-12-31T08:44:23Z |
筆墨之外：中國書法史跨領域研究論文集（《清華學報》第40卷3期專輯）
|
盧慧紋編輯; 盧慧紋編輯; HUI-WEN LU |
| 臺大學術典藏 |
2020-12-31T08:44:23Z |
中國書法：理論與歷史
|
HUI-WEN LU; 方聞著;盧慧紋;許哲瑛合譯; 方聞著; 盧慧紋; 許哲瑛合譯 |
| 臺大學術典藏 |
2020 |
董其昌與唐人寫經 = Dong Qichang and Scriptures of the Tang Dynasty
|
盧慧紋; 盧慧紋; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:49Z |
六朝至唐裝飾性字體的盛行與行草書筆法論的興起
|
盧慧紋; 盧慧紋; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:48Z |
Forgeries and the Pursuit of Authenticity during the Southern Song: The Case of Epitaph for My Nanny
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:48Z |
Forgeries and the Pursuit of Authenticity during the Southern Song: The Case of Epitaph for My Nanny
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:48Z |
Forgeries and the Pursuit of Authenticity during the Southern Song: The Case of Epitaph for My Nanny
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:48Z |
Model-books and the Formation of a New Calligraphic Canon in Song China
|
HUI-WEN LU;Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:48Z |
Model-books and the Formation of a New Calligraphic Canon in Song China
|
HUI-WEN LU;Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:48Z |
Model-books and the Formation of a New Calligraphic Canon in Song China
|
HUI-WEN LU;Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:48Z |
Model-books and the Formation of a New Calligraphic Canon in Song China
|
HUI-WEN LU;Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:48Z |
More than Writing: Efficacious Words, Decorative Scripts, and Cross-cultural Encounters in Tang China
|
HUI-WEN LU;Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:48Z |
More than Writing: Efficacious Words, Decorative Scripts, and Cross-cultural Encounters in Tang China
|
HUI-WEN LU;Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:48Z |
More than Writing: Efficacious Words, Decorative Scripts, and Cross-cultural Encounters in Tang China
|
HUI-WEN LU;Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:48Z |
More than Writing: Efficacious Words, Decorative Scripts, and Cross-cultural Encounters in Tang China
|
HUI-WEN LU;Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:48Z |
Reproducing and Remaking the Paradigm: Wang Xizhi’s (303-361) Calligraphic Masterpiece Essay on Yue Yi (Yue Yi Lun) in the Age of Printing
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:48Z |
Reproducing and Remaking the Paradigm: Wang Xizhi’s (303-361) Calligraphic Masterpiece Essay on Yue Yi (Yue Yi Lun) in the Age of Printing
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:48Z |
Reproducing and Remaking the Paradigm: Wang Xizhi’s (303-361) Calligraphic Masterpiece Essay on Yue Yi (Yue Yi Lun) in the Age of Printing
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:48Z |
Reproducing and Remaking the Paradigm: Wang Xizhi’s (303-361) Calligraphy in the Age of Printing
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:48Z |
Reproducing and Remaking the Paradigm: Wang Xizhi’s (303-361) Calligraphy in the Age of Printing
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:48Z |
Reproducing and Remaking the Paradigm: Wang Xizhi’s (303-361) Calligraphy in the Age of Printing
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:47Z |
Ancient Monuments Re-envisioned: Antiquarian Aesthetics and Transmedia Narratives in Nineteenth-Century China
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:47Z |
Ancient Monuments Re-envisioned: Antiquarian Aesthetics and Transmedia Narratives in Nineteenth-Century China
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:47Z |
Ancient Monuments Re-envisioned: Antiquarian Aesthetics and Transmedia Narratives in Nineteenth-Century China
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:47Z |
Forgeries and the Pursuit of Authenticity during the Southern Song: The Case of Epitaph for My Nanny
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:47Z |
Forgeries and the Pursuit of Authenticity during the Southern Song: The Case of Epitaph for My Nanny
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:47Z |
Forgeries and the Pursuit of Authenticity during the Southern Song: The Case of Epitaph for My Nanny
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:46Z |
Wild Cursive Calligraphy, Poetry, and Chan Monks in Tenth-Century China
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:46Z |
Wild Cursive Calligraphy, Poetry, and Chan Monks in Tenth-Century China
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:46Z |
Wild Cursive Calligraphy, Poetry, and Chan Monks in Tenth-Century China
|
Hui-wen Lu; Hui-wen Lu; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:46Z |
薛紹彭書法分期與相關問題
|
盧慧紋; 盧慧紋; HUI-WEN LU |
| 臺大學術典藏 |
2019-11-25T09:42:46Z |
縮率更魯公於分釐之間，運龍跳虎臥於格式之內－錢泳(1759-1844)與他的《縮臨唐碑》
|
盧慧紋; 盧慧紋; HUI-WEN LU |
