臺灣學術機構典藏系統 (Taiwan Academic Institutional Repository, TAIR)

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	2019臺灣學術機構典藏研討會
	機構典藏系統RC7版本已發佈

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Institution	Date	Title	Author
臺大學術典藏	2022-04-25T06:56:30Z	Western music history as a teaching topic in Taiwan: Pedagogy as transculturation	Chen J.-Y.; Chen J.-Y.; JEN-YEN CHEN
臺大學術典藏	2021-11-21T23:18:42Z	Western music history as a teaching topic in Taiwan: Pedagogy as transculturation	JEN-YEN CHEN
臺大學術典藏	2021-01-04T05:52:11Z	REQUIEM WITH TWO RELATED MOTETS	Chen, Jen-Yen; Chen, Jen-Yen; JEN-YEN CHEN
臺大學術典藏	2020-06-18T05:43:50Z	Church Music, ‘Classical’ Style, and the Dialectic of Old and New in Late Eighteenth-Century Musical Culture	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-06-18T05:43:49Z	The ‘Virtue’ Mass in Early Eighteenth-Century Austria: Beyond the Viennese Imperial Court	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-06-18T05:43:49Z	The Legacy of Johann Joseph Fux’s Gradus ad Parnassum (1725) and the Historicized Practice of Theory	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-06-18T05:43:49Z	Johann Joseph Fux’s Eucharistic and Marian Compositions and Habsburg Political SelfConception in the Era of Charles VI	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-06-18T05:43:49Z	Maria Theresia and the ‘Chinese’ Voicing of Austrian Imperial Self: The Contexts of Metastasio’s China Operas	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-06-18T05:43:48Z	Musical Culture and Social Ideology in Vienna circa 1800: Aristocratic Patronage and Bourgeois Reception of Joseph Haydn’s Oratorios	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-06-18T05:43:48Z	Metastasio’s Le cinesi and the Practice of Reflexive Critique Within Austrian Court Ceremonial Culture	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-06-18T05:43:48Z	Palestrina and the Influence of ‘Old’ Style in Eighteenth-Century Vienna	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-06-18T05:43:47Z	Antonio Caldara in Vienna (1716-1736) and the ‘Indigenization’ of an Italian Composer at a Foreign Italianate Court	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-05-29T08:29:21Z	Three Masses from Vienna: A Cappella Masses by Georg Christoph Wagenseil, Georg Reutter, and Leopold Hofmann	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-05-29T08:29:20Z	The Assimilation of Symphonic Style in the Revision of the D?rnitz Sonata, K. 284 (205b)	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-05-29T08:29:20Z	Wagenseils Missa alla cappella und die Fuxschen Lehre	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-05-29T08:29:20Z	The Tradition and Ideal of the Stile Antico in Viennese Sacred Music, 1740-1800	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-05-29T08:29:19Z	Historiographical Conceptions of the Symphony and the Hauskapellen of Eighteenth-Century Austria	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-05-29T08:29:19Z	Musical Life in Late Eighteenth-Century Vienna and Habermas??Conception of the Public Sphere	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-05-29T08:29:19Z	The Aristocratic House Orchestras of Mid-Eighteenth-Century Austria: Private Context and Public Expression in the Genre of Symphony	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-05-29T08:29:18Z	The Seven Last Words: Genre and Expression in Late Eighteenth-Century Musica da Chiesa	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-05-29T08:29:17Z	Interrogating Culture and Identity: The Case Study of Taiwan"	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-05-29T08:29:17Z	Utopian Universalism and the Modern Idea of the West in the Reception of European Musical Culture circa 1800	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-05-29T08:29:16Z	Aristocratic Patronage and the Symphony in Late Eighteenth-Century Austria	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-05-29T08:29:15Z	Habermas??Conception of the Bourgeois Public Sphere and Publicness in Musical Culture of the Viennese Enlightenment	JEN-YEN CHEN; JEN-YEN CHEN
臺大學術典藏	2020-05-29T08:29:15Z	The Sachsen-Hildburghausen Kapelle and the Symphonies of Christoph Willibald Gluck	JEN-YEN CHEN; JEN-YEN CHEN

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